Showing posts with label Mrs Beeton. Show all posts
Showing posts with label Mrs Beeton. Show all posts

Wednesday, April 1, 2015

A ~ Apple Charlotte


Welcome to the first day of the A-Z Challenge. My posts over the next month will be a selection of recipes from the 1800’s to the early 1900.

Today’s recipe is from the well known Victorian cook Mrs. Isabelle Beeton from her Household Management book.

A VERY SIMPLE APPLE CHARLOTTE.

INGREDIENTS.—9 slices of bread and butter, about 6 good-sized apples, 1 tablespoonful of minced lemon-peel, 2 tablespoonfuls of juice, moist sugar to taste.
Mode.—Butter a pie-dish; place a layer of bread and butter, without the crust, at the bottom; then a layer of apples, pared, cored, and cut into thin slices; sprinkle over these a portion of the lemon-peel and juice, and sweeten with moist sugar. Place another layer of bread and butter, and then one of apples, proceeding in this manner until the dish is full; then cover it up with the peel of the apples, to preserve the top from browning or burning; bake in a brisk oven for rather more than 3/4 hour; torn the charlotte on a dish, sprinkle sifted sugar over, and serve.
Time.—3/4 hour. Average cost, 9d.
Sufficient for 5 or 6 persons. Seasonable from July to March.

Sunday, October 26, 2014

Sunday Supper ~ Dinner for Twelve Persons - October.

From Mrs. Beeton’s Household Management




FIRST COURSE.
  Carrot Soup à la Créci.
  Soup à la Reine.
  Baked Cod.
  Stewed Eels.

ENTREES.
  Riz de Veau and Tomata Sauce.
  Vol-au-Vent of Chicken.
  Pork Cutlets and Sauce Robert.
  Grilled Mushrooms.

SECOND COURSE.
  Rump of Beef à la Jardinière.
  Roast Goose.
  Boiled Fowls and Celery Sauce.
  Tongue, garnished.
  Vegetables.

THIRD COURSE.
  Grouse.
  Pheasants.
  Quince Jelly.
  Lemon Cream.
  Apple Tart.
  Compote of Peaches.
  Nesselrode Pudding.
  Cabinet Pudding.
  Scalloped Oysters.

DESSERT AND ICES.


Saturday, October 25, 2014

Stitches on Saturday ~ Embroidery - Mrs Beeton’s Needlework


From Mrs Beeton's Needlework

With all these designs to choose from it is little wonder that ladies could spend hours on their needlework.

154.--Sandwich Case.
Materials: Strip of grey kid; strip of oil silk; 1 skein black silk; 1 skein red purse silk; 1 hank steel beads; steel button.
This case will be found very useful on the occasion of a journey or picnic, as it can be carried in the pocket without any inconvenience.
The case is made of a strip of grey kid, scalloped out at the edges. The words "Bon appetit," or "Good appetite," at will, are worked over it in overcast with black purse silk and steel beads, the scroll pattern in chain stitch with red silk. The back and front of the case are formed of the same strip, which is lined with oilskin, and to which narrow side-pieces are added to form the pocket. These pieces are lined and scalloped out in the same way as the back and front, and then the scallops of both sides are joined together, and worked round in button-hole stitch with purse silk.
The case is fastened down with a steel button.
If another colour is preferred, the sandwich case can be made of brown kid. The scroll pattern should then be worked in rich blue purse silk, and gold beads used for the letters, which should be embroidered as before in black silk. The edge may be worked in double overcast stitch in blue or black silk. A gold button must replace the steel when this alteration of colour is made.



155.--Insertion.
Materials: Muslin; Messrs. Walter Evans and Co.'s embroidery cotton No. 16.
This insertion is worked in raised satin stitch between two rows of hem-stitching; a small eyelet-hole is worked in the centre of each flower.




156.--Cravat End in Raised Embroidery.
Materials: Messrs. Walter Evans and Co.'s. embroidery cotton Nos. 50 and 16.
This pattern is a muslin cravat 32 inches long. The greater part of the embroidered ends is worked in satin stitch; the leaves in the bouquet of the centre are worked in raised embroidery. (See Nos. 113 and 116, Embroidery Instructions.)
The dotted lines are raised by taking four threads of the muslin on the needle, draw it half out, wind the cotton twice round the point, holding it tightly under the thumb, draw the needle out and insert it at the place where the stitch was begun, and draw it out where the next stitch is to be worked.




157.--Lady's Purse.
Materials: Russia leather; blue silk; black purse silk; blue silk soutache; fine gold braid; and gold thread.





This purse is embroidered upon Russia leather; an oval-shaped medallion is cut out in the centre; a piece of blue silk is gummed on under the leather so as to show within the oval; both leather and silk are then lined with calico and stretched upon a small embroidery frame. The front and back of the purse are made all of one piece, the centre of which is the bottom; after the embroidery is completed a piece of leather is added on each side to give the necessary fullness. Four flowrets are worked over the blue silk, with black purse silk, in raised satin stitch, with a dot in gold thread for the centre. The stems are black and the leaflets gold. The inner border round the oval medallion is worked in gold braid, and the outer one in blue soutache. The network upon the leather is formed of threads of black purse silk, fastened at every crossing with a stitch of gold thread; the outer border round this network is formed entirely of gold braid. On the opposite side of the purse initials may be worked in black and gold, over the blue silk oval medallion.
The purse is lined with brown watered silk, and mounted with a clasp of gilt steel.


158.--Table-Napkin Ring.
Materials: Crimson cashmere; toile cirée; 1 reel each of white, black, green, blue, and yellow Chinese silk.




Stretch a strip of cashmere of a bright shade of crimson over a piece of toile cirée, and work the pattern over it in point Russe with fine silk. The outer borders have white and black outlines, and leaflets of green silk. The stars have black and blue outlines, a yellow cross and dots. The figure between the stars is black and yellow.

159 and 160.--Knife Basket.
Materials: Grey American cloth; red cloth; black jet beads and bugles; red worsted braid, three-quarters of an inch wide; some strong wire; a cigar-box.




This basket is meant for holding dessert knives. It consists of a common cigar-box nine inches and two-fifths long, five inches and four-fifths wide, and two inches and one-fifth high, covered inside and out with grey American cloth, which is ornamented with embroidery worked in appliqué. The seams are made in overcast stitch. The feet consist of four pieces of strong wire three inches and two-fifths long. These pieces of wire are first covered with wool, and then with jet beads; they are then bent into loops, and fastened on at the bottom of the box by means of holes bored into it for that purpose. The feet must be fastened before covering the inside of the box. The inside of the basket is ornamented with an embroidered pattern in appliqué, which must also be worked before covering the box. The leaves are made of red cloth, the stems and veinings of black bugles. No. 160 shows the pattern in full size; the flowers and leaves are edged with light grey purse silk, over which small stitches in black silk are fastened at regular intervals. Inside the box fasten a deal board covered on both sides with American cloth, so as to divide the basket into two compartments, and fasten on to this board a handle consisting of a piece of wire seven inches long, wound round with beads. The basket is ornamented with ruches of red worsted braid; between two box pleats of the ruche a black bugle is fastened.




Sunday, October 19, 2014

Sunday Supper ~ Dinner for Eight Persons - October



From Mrs Betton’s Household Management


FIRST COURSE.
Calf's-Head Soup.
Crimped Cod and Oyster Sauce.
Stewed Eels.


ENTREES.
Stewed Mutton Kidneys.
Curried Sweetbreads.


SECOND COURSE.
Boiled Leg of Mutton, garnished with Carrots and Turnips. Roast Goose.


THIRD COURSE.
Partridges.
Fruit Jelly. Italian Cream.
Vol-au-Vent of Pears.
Apple Tart.
Cabinet Pudding.


DESSERT AND ICES.

Saturday, October 18, 2014

Stitches on Saturday ~ Embroidery - Mrs Beetons Needlework

From Mrs Beeton's Needlework

While I am posting these patterns I realized the in today’s society the art of embroidery is lost on the younger generation.

Now to continue with Mrs Beeton’s art of Needlework.

147.--Couvrette in Appliqué Embroidery.
Materials: Net, fine muslin; Messrs. Walter Evans and Co.'s embroidery cotton No. 16.
The pattern must be traced on the muslin, which should be tacked on the net. The outline of the design must be traced with very small stitches, and worked in overcast stitches, as are also the veinings; the dots are worked in raised satin stitch; the border is embroidered with satin stitch flowers and scallop button-hole stitch. To work appliqué on net, see No. 117 of Embroidery Instructions.



148.--Wreath for centre of Pincushion or Toilet Mat.
Materials for Pincushion: Jaconet muslin; Messrs. Walter Evans and Co.'s embroidery cotton No. 16. For toilet mat: White piqué; cotton No. 12.




The leaves and flowers are worked in satin stitch; the eyelet-holes and stems in overcast stitch.

149.--Corner for Handkerchief In Point Russe.
Materials: French cambric, fine China black sewing-silk, or filoselle.


  
Point Russe stitch is made by a succession of back stitches. These stitches carefully follow every line of the design, and are worked in black China sewing-silk or filoselle. The pattern should be repeated at each corner of the handkerchief.

150 to 152.--Borders and Insertions.--White Embroidery.
Materials: Lawn; Messrs. Walter Evans and Co.'s embroidery cotton No. 30, and Mecklenburg thread No. 50; fine black sewing-silk.


For the border No. 150, trace first the outlines of the scallop, then draw the threads which are to form the wheel in each scallop (take for this fine Mecklenburg thread, for the rest embroidery cotton), fasten them at the places where they cross each other, and work at these places small and large spots in satin stitch. Then work the scallops in button-hole stitch; edge each larger spot with button-hole stitch all round, and make a row of button-hole stitches for the upper edge of the border, and above this a row of herring-bone stitches. The material is cut away underneath the wheels.






The corner borders, illustrations 151 and 152, are worked in point Russe, chain and satin stitch, with fine black sewing silk.

153.--Muslin Cravat.
Materials: Muslin; Messrs. Walter Evans and Co.'s embroidery cotton No. 50; No. 40 for the edges.
This cravat is worked on fine muslin, embroidered upon both ends in raised satin stitch; the scalloped edge is worked in button-hole stitch; the bouquet in the centre is worked in appliqué satin stitch--that is, the leaves of the rose and the foliage are worked separately on muslin; they are then cut out and worked in appliqué (see Nos. 113 and 116, Embroidery Instructions) upon the cravat, as seen in the illustration.




Sunday, October 12, 2014

Sunday Supper ~ DINNER FOR 18 PERSONS ~ October





First Course
Mock-Turtle Soup,
removed by
Crimped Cod and Oyster Sauce.
Soles à la Vase of Red Mullet.
Normandie. Flowers.
Julienne Soup,
removed by
John Dory and Dutch Sauce.

Entrées
Sweetbreads and Tomata
Sauce.
Oyster Patties. Vase of Stewed Mushrooms.
Flowers.
Fricandeau de Veau and
Celery Sauce.

Second Course.
Roast Saddle of
Mutton.
Grouse Pie.
Roast Goose. Vase of Boiled Fowls and
Flowers. Oyster Sauce.
Ham.
Larded Turkey.

Third Course.
Custards. Pheasants, Prawns.
removed by
Cabinet Pudding.
Italian Cream.
Gâteau de Vase of Compôte of
Pommes. Flowers. Plums.
Peach Jelly.
Roast Hare,
removed by
Lobster Salad. Iced Pudding. Apple Tart.


DESSERT AND ICES.

Sunday, September 7, 2014

Sunday Supper ~ Dinner for 18 Persons – September

From Mrs Beeton's Household Management



First Course.
                      Julienne Soup,
                       removed by
                  Brill and Shrimp Sauce.
  Red Mullet & Vase of Fried Eels.
  Italian Sauce. Flowers.
                       Giblet Soup,
                        removed by
                 Salmon and Lobster Sauce.

Entrées.

                    Lamb Cutlets and
                      French Beans.
  Fillets of Chicken Vase of Oysters au gratin.
    and Truffles. Flowers.
                    Sweetbreads and
                     Tomata Sauce.

Second Course.

Saddle of Mutton.
Veal-and-Ham Pie.
  Chickens à la Vase of Braised Goose.
   Béchamel. Flowers.
                Broiled Ham, garnished
                  with Cauliflowers.
Filet of Veal.

Third Course.

Custards. Partridges, Apple Tart. removed by Plum-pudding.
Compôte of Greengages.
  Noyeau Jelly. Vase of Lemon Cream.
                        Flowers.
Pastry Sandwiches.
                  Grouse & Bread Sauce,
                       removed by
  Plum Tart. Nesselrode Pudding. Custards.

DESSERTS AND ICES.



Saturday, September 6, 2014

Stitches on Saturday ~ EMBROIDERY PATTERNS - Part Two


From Mrs Beetons Book of Needlework


135.--Pattern for Collars and Cuffs in Embroidery.


Materials: Muslin, cambric or lawn; Messrs. Walter Evans and Co.'s embroidery cotton perfectionné No. 40.

Work the outer circle in long even scallops (see page 90 of Embroidery Instructions) in raised button-hole stitch; the spray of flowers is embroidered in raised satin stitch, the leaves in the same, and the rosebud calyx in tiny eyelet-holes. The centres of the roses are embroidered in open-work.

Embroidery Pattern for Collars, Cuffs, &c.

136.--Cravat End in Embroidery.



Materials: Muslin, Brussels net; Messrs. Walter Evans and Co.'s embroidery cotton No. 30.

Tack the traced muslin over the net and work the scallop of the inner edge; next the design in the centre must be worked in raised satin stitch (see No. 77 in Embroidery Instructions). The raised dots are also worked in satin stitch (see page 90 of Embroidery Instructions). Lastly, work the outer edging of round scallops and the lines of raised dots, and with a pair of embroidery scissors carefully cut away the muslin from the outer edge and from the leaves of the centre pattern.

Cravat End in Embroidery.

137.--Embroidery Pattern for Collars, Cuffs, &c.



Materials: Linen; Messrs. Walter Evans and Co.'s cotton perfectionné No. 40.

This pretty star should be worked in fine overcast stitch (see No. 68 in Embroidery Instructions). The centre is worked in raised satin stitch leaves round a circle of button-hole stitch, in the middle of which a wheel is worked thus:--Slip the cotton under the thick edge and fasten it, then cross it over and back so as to make 8 bars, then twist the cotton twice round 1 bar; this will bring it to the centre; work over and under each of the bars until a thick dot is formed; fasten the cotton beneath this, and twist it twice round the bar opposite to the first one you worked, and finish off.

Embroidery Pattern for Collars, Cuffs, &c.

138.--Embroidery Covering for a Quilted Counterpane.



Materials: Cashmere, cambric muslin, or linen; Messrs. Walter Evans and Co.'s embroidery cotton No. 4.
 
Embroidery Covering for a Quilted Counterpane.

This is an embroidery-pattern for a woollen or silk quilted counterpane. Such counterpanes generally have a lining which is turned back on the right side, and buttoned down at the point of each scallop. The pattern is a quilted counterpane of scarlet cashmere; the lining is of fine linen. Before embroidering it, make the points for the corners. The embroidery is worked in button-hole stitch, overcast, satin, and ladder stitch. It can also be worked on fine cambric or muslin, and then the embroidered pattern sewn on the piece of linen which forms the cover on the wrong side. Make the button-holes as seen on illustration, and sew on mother-of-pearl or china buttons.

Embroidery Pattern for Cravat Ends, &c.

139.--Embroidery Pattern for Ornamenting Collars, Cuffs, &c.



Materials: Muslin, cambric, or linen; Messrs. Walter Evans and Co.'s embroidery cotton No. 40.

This pattern is worked in satin stitch, point Russe, and point d'or on muslin, cambric, or linen; it is suitable for collars, or cravat ends, or handkerchief corners.

140.--Handkerchief in Embroidery



Materials: French cambric; Messrs. Walter Evans and Co.'s embroidery cotton No. 50.

Handkerchief in Embroidery.


Three rows of hem-stitching ornament this handkerchief; the pattern forms an insertion within the outer rows, the flowers are worked in raised satin stitch, with eyelet-hole centres (see No. 87 of Embroidery Instructions); the tendrils are worked in overcast stitch; three rows of raised dots, in groups of four, are worked on the inner side of the last row of hem-stitching. This pattern looks very handsome on a broad-hemmed handkerchief.


Sunday, August 31, 2014

BILL OF FARE FOR A BALL SUPPER FOR 60 PERSONS (For Winter)


From Mrs Beeton's Household Management




Boar's Head,
                          garnished with Aspic Jelly.
  Lobster Salad Lobster Salad.
  Fruited Jelly. Mayonnaise of Fowl. Charlotte Russe.
Small Ham, garnished.
Small Pastry. Iced Savoy Cake. Biscuits.
Vanilla Cream EPERGNE, WITH FRUIT. Fruited Jelly.
Two Roast Fowls, cut up. Two Roast Fowls, cut up.
Prawns Two Boiled Fowls, with Béchamel Prawns
                                 Sauce.
           Biscuits Small Pastry
                             Tongue, ornamented.
Custards, TRIFLE, ORNAMENTED. Custards,
          in glasses. in glasses.
                            Raised Chicken Pie.
Tipsy Cake
  Lobster Salad. Lobster Salad.
  Fruited Jelly. Swiss Cream.
                              Roast Pheasant.
Meringues. EPERGNE, WITH FRUIT. Meringues.
Raspberry Cream. Galantine of Veal. Fruited Jelly.
Tipsy Cake.
          Small Pastry. Biscuits.
                               Raised Game Pie.
Custards, TRIFLE, ORNAMENTED Custards,
          in glasses. in glasses.
Two Roast Fowls, cut up. Two Roast Fowls, cut up.
                             Tongue, ornamented.
          Prawns. Prawns.
                     Two Boiled Fowls, with Béchamel
                                 Sauce.
         Biscuits. Small Pastry.
                              EPERGNE, WITH FRUIT.
  Lobster Salad. Lobster Salad.
        Fruited Jelly. Iced Savoy Cake. Blancmange.
Small Ham, garnished.
Mayonnaise of Fowl.
        Charlotte Russe. Fruited Jelly.
                                Larded Capon.
Note: When soup is served from the buffet, Mock Turtle and Julienne may be selected. Besides the articles enumerated above, Ices, Wafers, Biscuits, Tea, Coffee, Wines and Liqueurs will be required. Punch a la Romaine may also be added to the list of beverages.

Saturday, August 30, 2014

Stitches on Saturday ~ EMBROIDERY PATTERNS - Part Two

From Mrs Beeton’s Book of Needlework

133.--Cravat End in Embroidery.



Materials: Muslin, cambric, or linen; Messrs. Walter Evans and Co.'s embroidery cotton No. 24, or fine black China silk.

This graceful design is worked in raised satin stitch (see Nos. 76 and 77, Embroidery Instructions) and back stitching, or point Russe. Black silk may be introduced at will, and the delicate leaves may be stitched in fine black silk, and the flowers embroidered in white, with the stamens in black silk.

134.--Basket Embroidered in Chenille.



Materials: A basket of fine wicker-work; 1 skein of black chenille, and 3 of blue chenille.


This small round basket measures seven inches across; it has a cover and two handles. The wicker is very delicately plaited, and is ornamented with a pattern in chenille which is very easy to work. Upon the cover, work in point Russe one large star in blue chenille, with the centre and outer circle in black. All round, work small stars in blue chenille, with a black stitch in the centre. The position of these stars is shown in our illustration. The basket requires no mounting; it is not even lined.

Tuesday, August 26, 2014

Tasty Tuesday ~ Roast Haunch of Venison

From Mrs. Beetons Household Management

Roast Venison

INGREDIENTS.—Venison, coarse flour-and-water paste, a little flour.

Mode.—Choose a haunch with clear, bright, and thick fat, and the cleft of the hoof smooth and close; the greater quantity of fat there is, the better quality will the meat be. As many people object to venison when it has too much haut goût, ascertain how long it has been kept, by running a sharp skewer into the meat close to the bone; when this is withdrawn, its sweetness can be judged of. With care and attention, it will keep good a fortnight, unless the weather is very mild. Keep it perfectly dry by wiping it with clean cloths till not the least damp remains, and sprinkle over powdered ginger or pepper, as a preventative against the fly. When required for use, wash it in warm water, and dry it well with a cloth; butter a sheet of white paper, put it over the fat, lay a coarse paste, about 1/2 inch in thickness, over this, and then a sheet or two of strong paper. Tie the whole firmly on to the haunch with twine, and put the joint down to a strong close fire; baste the venison immediately, to prevent the paper and string from burning, and continue this operation, without intermission, the whole of the time it is cooking. About 20 minutes before it is done, carefully remove the paste and paper, dredge the joint with flour, and baste well with butter until it is nicely frothed, and of a nice pale-brown colour; garnish the knuckle-bone with a frill of white paper, and serve with a good, strong, but unflavoured gravy, in a tureen, and currant jelly; or melt the jelly with a little port wine, and serve that also in a tureen. As the principal object in roasting venison is to preserve the fat, the above is the best mode of doing so where expense is not objected to; but, in ordinary cases, the paste may be dispensed with, and a double paper placed over the roast instead: it will not require so long cooking without the paste. Do not omit to send very hot plates to table, as the venison fat so soon freezes: to be thoroughly enjoyed by epicures, it should be eaten on hot-water plates. The neck and shoulder may be roasted in the same manner.


Time.—A large haunch of buck venison, with the paste, 4 to 5 hours; haunch of doe venison, 3-1/4 to 3-3/4 hours. Allow less time without the paste.

Average cost, 1s. 4d. to 1s. 6d. per lb.

Sufficient for 18 persons.

Seasonable.—Buck venison in greatest perfection from June to Michaelmas; doe venison from November to the end of January.

THE DEER.—This active tribe of animals principally inhabit wild and woody regions. In their contentions, both with each other and the rest of the brute creation, these animals not only use their horns, but strike very furiously with their fore feet. Some of the species are employed as beasts of draught, whilst the flesh of the whole is wholesome, and that of some of the kinds, under the name of "venison," is considered very delicious. Persons fond of hunting have invented peculiar terms by which the objects of their pursuit are characterized: thus the stag is called, the first year, a calf, or hind-calf; the second, a knobber; the third, a brock; the fourth, a staggard; the fifth, a stag; and the sixth, a hart. The female is, the first year, called a calf; the second, a hearse; and the third, a hind. In Britain, the stag has become scarcer than it formerly was; but, in the Highlands of Scotland, herds of four or five hundred may still be seen, ranging over the vast mountains of the north; and some of the stags of a great size. In former times, the great feudal chieftains used to hunt with all the pomp of eastern sovereigns, assembling some thousands of their clans, who drove the deer into the toils, or to such stations as were occupied by their chiefs. As this sport, however, was occasionally used as a means for collecting their vassals together for the purpose of concocting rebellion, an act was passed prohibitory of such assemblages. In the "Waverley" of Sir Walter Scott, a deer-hunting scene of this kind is admirably described.

VENISON.—This is the name given to the flesh of some kinds of deer, and is esteemed as very delicious. Different species of deer are found in warm as well as cold climates, and are in several instances invaluable to man. This is especially the case with the Laplander, whose reindeer constitutes a large proportion of his wealth. There—

      "The reindeer unharness'd in freedom can play,
       And safely o'er Odin's steep precipice stray,
       Whilst the wolf to the forest recesses may fly,
       And howl to the moon as she glides through the sky."



In that country it is the substitute for the horse, the cow, the goat, and the sheep. From its milk is produced cheese; from its skin, clothing; from its tendons, bowstrings and thread; from its horns, glue; from its bones, spoons; and its flesh furnishes food. In England we have the stag, an animal of great beauty, and much admired. He is a native of many parts of Europe, and is supposed to have been originally introduced into this country from France. About a century back he was to be found wild in some of the rough and mountainous parts of Wales, as well as in the forests of Exmoor, in Devonshire, and the woods on the banks of the Tamar. In the middle ages the deer formed food for the not over abstemious monks, as represented by Friar Tuck's larder, in the admirable fiction of "Ivanhoe;" and at a later period it was a deer-stealing adventure that drove the "ingenious" William Shakspeare to London, to become a common player, and the greatest dramatist that ever lived.